Music Week, in Record Mirror (Dance Update Supplemental Insert). "Market Preview: Dance - Pick of the Week" (PDF). ^ Masterton, James (18 September 1994).Dave Grohl - Times Like His: Foo Fighters, Nirvana & Other Misadventures. Authorship Roles in Popular Music: Issues and Debates. ^ "Music for the Jilted Generation - The Prodigy | Songs, Reviews, Credits".^ "BPM for Voodoo People (The Prodigy)"."Speedway (Theme from Fastlane)" (Secret Knowledge Remix)
"No Good (Start the Dance)" (CJ Bolland Museum Remix) "Speedway (Theme from Fastlane)" ( Secret Knowledge Remix) "No Good (Start the Dance)" ( CJ Bolland Museum Remix) "Voodoo People" (The Chemical Brothers Remix) The track has also been a part of many soundtracks, such as Hackers, Dobermann, Wasabi, amongst others. Croatian cello duo 2Cellos have recorded an instrumental version for their album In2ition and have been performing it live on their subsequent tour. The song has been covered by Refused and British funk band 6ix Toys as well remixed by Pendulum (see Voodoo People (Pendulum Remix)) and other known and less known artists such as Eskimo, Alvaro and Shayning. The British release included a remix by the Chemical Brothers. It has amassed over 11,7 million views as of September 2021. The video was published on YouTube in May 2008. A number of other more graphic versions of the video are available, one of them appearing in the Prodigy's Electronic Punks documentary. This version included scenes featuring real witch doctors, but these were cut because of problems with television censorship. It was filmed on location in Saint Lucia and it showed Leeroy Thornhill as a voodoo priest. The original music video was directed by Walter Stern and Russell Curtis. With The Prodigy as witchdoctor, of course." Videos Dele Fadele from NME wrote that "Voodoo People" "likens the rave scenario to a black magic ritual.
Andy Beevers from Music Week rated it five out of five, adding that "this is one of their most accessible tracks with its rock guitar riffs and flute flurries." Brad Beatnik from the magazine's RM Dance Update noted, "It's a sort of Jethro Tull-goes-hardcore and the result is a brilliant slice of uncompromising yet defiantly commercial techno." Another editor, James Hamilton described it as "psychedelic guitar and flute prodded flurrying tribal techno". Music writer James Masterton wrote, "The new single has little of the commercial charm or potential of that last hit, but its a creditable chart performance nonetheless." Maria Jimenez from Music & Media complimented it as a "superb break-beat track".
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